| "The power of suggestion" is rooted in the perception of reality itself |
Let's perform a thought experiment. Suppose you are standing by a newspaper rack one morning, when your eye is caught by the following headlines:
As stated in the heading to this Blog, it is widely agreed among educators and therapists that people learn most effectively by experience. Regardless of the type of induction which is used, the total involvement which results from the systematic, comprehensive application of multimodal or "Best Me" suggestions can be regarded as a form of hyperempiria, as +Brian David Phillips ( 2007) has stated, or suggestion-enhanced experience. In the fullest sense of the term, hyperempiria refers to an entirely new paradigm which uses the power of suggestion as an artistic medium, and human experience itself as the ultimate art form (Gibbons, 2000, 2001).
With our adult ability to conceptualize, and with sufficient experiential training, we can build an almost unlimited number of resource states, with an unlimited number of dimensions. In the words of the mystical poet, William Blake, you will be able
We all long to return to the safety and security of a little infant tenderly nestled in its mother’s arms, for example. At the opposite extreme, all phobias are basically rooted in a fear of not being, which is actually a fear of death. If the number of parallel universes is theoretically without limit, there is – somewhere – an alternate universe where we can bathe in an ocean of infinite, unbounded, and everlasting love, freed from the limitations of space and time, to satisfy these deepest longings, enhance our self-esteem, and overcome all our feelings of unhappiness, loneliness, anger, and despair. (Gibbons & Cavallaro,2013).
| Now that's hyperempiria! |
Clients have been saying things like, "I can't thank you enough!" and, "I'm at a point in my life now where I think I can accomplish anything!" The changes which they are reporting in their lives seem to bear this out. It's too early for any hard data, as we have just begun to use these techniques. But we would like to invite you to join us in exploring these fascinating new realms of experience, and sharing with us in the thrill of discovery!
With much fanfare and without further ado, here's the link:
Barber, T. X. (1985), Hypnosuggestive procedures as catalysts for psychotherapies. In S. J. Lynn & J. P. Garske (Eds.) Theories of hypnosis. New York: Guilford Press, pp. 241-274.
Bányai, E. I., & Hilgard, E. R. (1976). A comparison of active-alert hypnotic induction with traditional relaxation induction. Journal of Abnormal Psychology, 85, pp. 218-224.
Gibbons, D. E. (2000). Applied hypnosis and hyperempiria. Lincoln, NE: Authors Choice Press (originally published 1979 by Plenum Press).
Gibbons, D. E., & Cavallaro, L (2013).. Exploring alternate universes and learning what they can teach us. Amazon Kindle E-Books.
Gibbons, D. E., & Lynn, S. J. (2010). Hypnotic inductions: A primer. in S. J. Lynn, J. W. Rhue, & I. Kirsch (Eds.) Handbook of clinical hypnosis, 2nd ed. Washington, DC: American Psychological Association, pp. 267-291.
Gibbons, D. E. (1976). Hypnotic vs. hyperempiric induction: An experimental comparison.Perceptual and Motor Skills, 42, 834.
Gibbons, D. E. (1975, August). Hypnotic vs. hyperempiric induction: An experimental comparison. Paper presented at the meeting of the American Psychological Association, Chicago.
Gibbons, D. E. (1974, March). Hyperempiria: Waking up hypnosis. Paper presented at the meeting of the Southeastern Psychological Association, Orlando, FL.
Gibbons, D. E. (1973, December). Hyperempiria: A new "altered state of consciousness" induced by suggestion. Paper presented at the meeting of the Society for Clinical and Experimental Hypnosis, Newport Beach, CA.
Gibbons, D. E., & Lynn, S. J. (2010). Hypnotic inductions: A primer. in S. J. Lynn, J. W. Rhue, & I. Kirsch (Eds.) Handbook of clinical hypnosis, 2nd ed. Washington, DC: American Psychological Association, pp. 267-291.
Phillips, B. D. (2007). Tranceplay: Experimental approaches to interactive drama involving experiential trance. Journal of Interactive Drama, 2(1), pp. 15-55.

